Friends with Benefits - is it possible?

Last week I saw the new Hollywood creation 'Friends with Benefits', starring Mila Kunis and Justin Timberlake, with some friends and we loved it. It was funny, crude and rude, all in equal measure. Justin and Mila are so hot together; their chemistry is electric and I wish I had a friend with benefits that looked like either of them. Well, maybe not with 'benefits', but I'd sure as hell love a friend that looked like either of them!

But it really got me thinking about the basis of the movie - can friends really have benefits with each other and stay friends? Sure, in theory it's easy enough. But when it actually comes down to it, is it practical and wise?

I don't think it is.

Some say sex is sex. I disagree. I can't fathom how people can have sex just for the sake of it, with no attachments, feelings or emotions. Sex is a physical act between two people and to get THAT intimate with someone, and for it to not mean anything, freaks me out. It's like saying 'I Love You' if you don't mean it - if you don't mean it, don't say it. If the sex is meaningless, don't do it.

Not only that, but is it worth jeopardizing a friendship for the sake of sex? Sex can be great, but it can be just as dangerous, especially when bought into contact with friends. How awkward would it be the morning after the night before? I couldn't face it. Then the awkwardness would begin, then the avoidance, then the 'feelings', then more avoidance, etc. It's not worth it.

Justin and Mila make it look so easy. They're friends, they're lovers, they're friends, they're lovers, they're haters, then they're full-time lovers. But, sadly, not everyone is guaranteed the fairytale ending that is given in Hollywood movies. What happens if said friends can't be together in a full-time relationship, or if the 'arrangement', as it were, means more to one than the other? There are so many complications that come with such an arrangement and I feel it could do more harm than good.

Maybe I should conduct an experiment and gain first hand experience? HA, I think I'll pass this time. But for anyone reading this post, or for anyone that has seen the movie and think it's a good idea, I really advise you to consider the repercussions.

But, overall, I absolutely LOVED the movie.

*****

Five Stars

The Cult of Celebrity...

The Cult of Celebrity is a fictitious cult. A cult comprised of rich, successful, powerful individuals whose lives are a million miles away from ours. But why are we so obsessed with this cult? If there is nothing remotely similar between 'us' and 'them', as it were, why do we feel the need to be constantly divulged with what is occurring in Celeb-land?

For my final year dissertation project, I intend to base it on the cult of celebrity. I'm not ashamed to admit that I AM obsessed with the cult of celebrity and as bad as it may sound, I find it far more interesting to read about the latest celebrity scandal rather than the latest real-life scandal. Superficial, but true. I'm mesmerised by the power that celebrities hold over us; celebrities have the power to influence our day-to-day life, and ultimately DO influence us.

To aid me in my project, I've done some initial reading on the topic and Cooper Lawrence has written a book called 'the Cult of Celebrity'. This book, I find riveting. Lawrence analyses the power of celebrity from all aspects, from the power a celebrity has on politics, to the power they have on persuading us, the audience, to purchase items that they endorse, to the power they have on society as a whole.

From reading the book, I have realised just how much celebrity culture influences me. I'm a media junkie and consume media through a plethora of platforms; TV, iPod, iPhone, Internet, the list goes on. The most recent chapter that I have read in the book has discussed success and how we compare our success through a variety of ways. Some people compare their success through their financial situation, some measure their success against the property they own and some measure success by the size of their family. Celebrities measure their success by how much money they have, how many houses they own, how many awards they have won, how many record sales they've racked up, etc.

At twenty years of age it's hard for me to measure by success by any standards, but I measure by success by all of the things I've been lucky enough to experience. I've been abroad twice and funded them both myself, which proves I have some kind of financial stability; I have had numerous trips to London, seen two West End shows and even attended the Harry Potter & the Deathly Hallows, Part 2 première. (Although I watched from the outskirts, I was still there!) I've been accepted to University and am heading into my final year, and I've also completed a work placement in London, too. These factors contribute to the success I have achieved thus far. But my motivation for achieving such things, and hoping to achieve much, much more in the future, is celebrities. When I see people like Tulisa Contostavlos come from nothing to X Factor judge and music starlet, it puts into perspective that anything is possible. You just have to persevere. Rihanna has to be one of the most famous musical entertainers in the world right now, and she's only 23!

This topic is so large and covers so much, too much for me to cover in one blog post, but I just find it interesting that celebrities are a large entity of society today. Well, the society I live in, anyway.

The X Factor UK, 2011

The X Factor Judges (2011)

I haven't posted in a while, which is bad; I have so much to share but never find the time to post! And on this certain topic, I have A LOT to say. Yes, that's right, it's ANOTHER post dedicated to the television juggernaut that is the X Factor. In the midst of all the drama surrounding the US version, I completely neglected posting about the UK version. But here it is...


When it was announced that Simon, Cheryl and Dannii were ALL leaving the UK version of the show to pursue other projects, speculation was rife as to who would replace the talent show judges; who could fill the role of Head Judge, left by Simon? Who could provide the glamour and sophistication that Cheryl did? And who could provide the motherly approach that Dannii gave? Of course there was the regular names linked, like Beyonce, Mariah, even Nicole Scherzinger were linked a possible judging role. But in the end it was revealed that Louis would be joined on the panel by Kelly Rowland, Tulisa Contostavlos and Gary Barlow. The PERFECT replacements, in my opinion.


Kelly Rowland is a bonafide, A-List recording artist and diva; she's fierce and I'm sure she will stand up for the contestants she believes in. She was an unexpected choice, I thought, simply because I never thought that such a global star like Kelly would sit on a judging panel of a reality TV show. But she's bringing the global factor to show.


Tulisa is the perfect replacement to fill the void left by Cheryl. She's outspoken, strong and has talent by the bucket-load. She is definitely the breakout star of N-Dubz and this is a great platform for Tulisa to launch herself as an industry, just as Cheryl did before her. If any contestant dares to defy Tulisa, I have no doubt she will put them in their place. She may be young, but she's not scared to ruffle a few feathers. I'm excited to see what she's going to be like.


Gary Barlow was a typical choice. He's a singer/songwriter extroadinaire, as well as being one fifth of the most famous and successful man band the UK has ever produced, Take That. He also has his own record label and signed up opera superstar Camila Kerslake, so he knows exactly what it takes to make it in the cut-throat industry of music. Apparently Gary has been harsh in the audition stage and has been asked to tone it down by producers. I'm not sure if that's an act, genuine or if he's trying a bit TOO hard to fill Simon's shoes. But I have no problem with a direct approach; he knows what it takes to cut it in the music world, just as Simon does.


Personally, I'm thrilled with the new line-up and I think the panel needed a major revamp in order to keep the show fresh and current. However, why was Louis Walsh kept on board? He is so irrelevant and nobody really cares about his opinion. He is going to have to fight SO hard not to be overshadowed by the new judges, and that is going to be a real challenge. I think they should have just signed Kelly, Tulisa and Gary - because let's be fair, that might as well have happened anyway. No-one will take notice of Louis this year. But we shall see.


As a media student, I feel I'm allowed to take such an interest in TV. I'm really excited to see this new series of the X Factor and I think the new judging panel will be amazing. With rumours of this series being the toughest yet and the live final being held at Wembley Arena, it definitely has the potential to be the biggest series yet! Also, I'm attending X Factor bootcamp on Thursday - I'm seriously SO excited for that! I'll get a first hand look at the bootcamp experience!


It's time to face the music!

Take That - PROGRESS LIVE, 2011

I will be the first to admit that I'm a sceptic when it comes to the subject of Take That. I remember when I was a child, I loved their song 'Relight My Fire' and I guess it was the boy band version of 'Wannabe' by the Spice Girls. Yet when they reformed and hordes of female fans rejoiced and cheered, I wasn't fazed by the hysteria surrounding them and their reunion. However, six years down the line I finally swallowed my pride and went along to their 'PROGRESS LIVE' tour. And, boy, was I surprised.

Their concert was amazing. The theatrics of the show are probably some of the best I've ever seen at a concert. Although I didn't know many of the new songs they performed, they also performed an extensive collection of past songs which got me cheering, singing and dancing along with the rest of the 49,000 strong crowd.

Sadly, I missed their last tour, which I was informed was an absolute spectacle, so I couldn't compare the two tours. But for saying it was the first time I'd ever seen Take That live, I was astounded by the sheer level of performance quality. Vocally, the band were perfect, sounding exactly the same as they did when they disbanded fifteen years previous. The dancing was a bit cringe worthy and there seemed to be some 'Dad' dancing present at times, but this portrays the man band accurately; they are no longer teenagers or young men, they are the same age as many Dad's around the country. I'd be completely mortified, I think, if they were articulately perfect dancers like JLS or Diversity, for example. That said, Howard and Jason, the two strongest dancers of the group, could still kick it with the best dancers around; their break-dancing segment was fantastic. But the overall performance aspect of the show was incredible; never, ever have I been to a concert where a 60ft robot has ascended from the centre of the stadium or where dancers have scaled a wall of water whilst performing intricate acrobatics. Fantastic.


One criticism that I do have is relevant to one person in particular: Robbie Williams. When it was announced last year that Robbie Williams intended to reunite with Take That for an album and stadium tour I was cautious of this decision. Obviously, Robbie has a history with the group and from what I can gather, there has been animosity between Robbie and the group for many years. Also, Robbie is an established solo-act and Take That are an established 'man band' and their career has gone from strength-to-strength since their reunion; neither needs the other, so why reform as a complete five-piece? Their new album, Progress, is heavily influenced by Robbie's song writing skills, but there was nothing wrong with their songs before; Gary Barlow writes amazing songs and has had a successful song writing career alongside Take That.


One concern I had for this tour, with Robbie on board, was that it would become very Robbie Williams focused. And my concerns were proven true. Robbie performed a blistering five song set and, admittedly, it was good. However, when he joined the other four on stage he seemed out of place, and it was then a constant struggle for attention on Robbie's part. He 'rapped' in the break dancing segment and the songs that were performed from Progress were the songs which featured Robbie on lead vocals. But people had paid to see Take That, so why did it feel that at times the audience were only getting Robbie Williams?

However, criticism aside, the show was fantastic. When Take That performed the anthemic 'Never Forget', the stadium erupted in cheers and claps for the man band. I left the stadium feeling very satisfied and I'm now not as much as a sceptic in regards to Take That. No other band in the music industry can touch Take That in terms of music and live performances.


One piece of advice I'd give Gary, Mark, Jason and Howard, if I could, would be to drop Robbie. They don't need him. They're a force to be reckoned with without him.

9/10

The Wait is Over! Again.

How ironic is it that thirty three days ago I was reporting the breaking news of the US X Factor judging panel being revealed, yet thirty three days later I'm reflecting on the drama that has followed regarding Cheryl-gate?

For those of you that have been living with your head under a rock for the last month, Cheryl Cole was sensationally dropped from the US judging panel after only judging two sets of auditions in America. Speculation was rife as to why this occurred, with many journalists and media outlets suspecting it was to do with Cheryl's strong northern accent and her lack of profile in the US. With Syco, Fox and Simon Cowell himself remaining tight-lipped, the public were left to make and draw their own conclusions.

However, two weeks after the sensational news was revealed, it was finally confirmed that Cheryl HAD left the X Factor US and that then co-host, Nicole Scherzinger, would be replacing her as a judge and would join Simon, Paula and LA Reid at the next set of auditions as a full-time judge.

In the space of two weeks, The X Factor US gained tons of press coverage on both sides of the Atlantic, boosting it's profile even further. In the space of two weeks, Nicole Scherzinger was promoted from co-host to full-time judge. In the space of two weeks, Cheryl had her US dream crushed by her mentor, friend and colleague.

When it was announced that Cheryl was going to be a judge on the X Factor US, everyone was sceptical. Although the UK public adored her, the US market is tough to crack and the odds were stacked against her. But she was born a fighter and would do everything in her power to make this situation work. But it just wasn't meant to be. Not only was Cheryl fired from the US version, she was offered her role back on the UK X Factor but turned it down, and when she was offered her judging role back on the US X Factor, she turned that down, too. And rightly so.

Cheryl had been humiliated by one person she trusted unconditionally, and she wasn't a ragdoll that could be dragged back and forth. However, I do feel that her pride has been damaged by the whole experience. If she ever tries to break America in the near future, she will be remembered as the girl with the funny accent who was sacked by Simon Cowell. And I think this has a lot to do with the reason why she turned down his offer of returning to the US. I feel that she had got to the point where she felt that if she WAS going to try to conquer the US any time soon, she would do it on her own. On her own terms. I also feel that the reason she turned down the offer to return to the UK X Factor was because she felt it was a consolation prize; she'd been sacked from the US version but could have her job back in the UK. The truth of the matter is Cheryl doesn't need her job on the UK X Factor; she has conquered the UK and doesn't need the exposure, platform or money. As for her second offer to return to the US version, I feel Cheryl felt she had been humiliated too much in a short space of time and that if she returned to the US, the public would be sniping constantly and she would have to work even harder to prove herself.

The only question remaining is what Cheryl will do now. With no Simon and no X Factor, will her solo music career stand the test of time and continue to be as successful? Only time will tell. But as they say, "what doesn't kill you makes you stronger".

The Wait is Over!

FINALLY the X Factor USA judging panel has been revealed! After months and months of speculation over who would occupy the other three judging seats next to Simon Cowell on the hotly anticpated FOX-produced television show, it's been revealed that British singing sensation and UK X Factor judge, Cheryl Cole, Emmy-award winning choreographer and Grammy-award winning singer, Paula Abdul and Grammy-award winning music producer, Antonio 'LA' Reid will join Simon on the panel when the show airs in the US in September 2011. It's also been revealed that ex Pussycat Doll and international solo-superstar, Nicole Scherzinger will co-host the show along with Welsh TV presenter Steve Jones.

I have been ridiculously intrigued as to who would land the judging roles, but if I'm honest, I can't help but feel it was all slightly anti-climactic. As soon as Simon Cowell announced his intention to take the X Factor stateside there was speculation surrounding who would join him on the US panel. Right from the off Cheryl was linked to the role. Then Nicole. Then Katy Perry. Then Nicki Minaj. Then Cheryl. Then Paula. Then Mariah. Then Cheryl. It was a vicious cycle and Cheryl's name was constantly appearing. Pretty much a guarantee that she had bagged the role, right? Especially if she was a constant link even against artists like Katy Perry and Mariah who are already huge in the states in comparison to Cheryl, who is a virtual unknown. But I think she deserved the job. Love or hate her, she's a brilliant judge. She takes the contestants under her wing and nurtures their talent and week-on-week her category blooms whilst other judges' wither. Whether she will be a huge success like she is here in the UK remains to be seen, but to bag such a big role for her debut in the US must mean she has something special about her for Simon and FOX executives to take such a big risk on her. I hope she proves all the haters wrong, it's about time the UK had a good ambassador to represent us in the States.

As for Paula Abdul gaining a judging role, that was also pretty much certain. After appearing on American Idol with Simon for eight seasons, their on-screen chemistry will pull in the viewers. Admittedly, Paula knows her stuff when it comes to having the X Factor, being a multi-talented performer herself. But I'm not sure how she will be as a mentor to the contestants when she is given her own category. I have no doubt she'll mother them, but she needs to me a mentor, not a mother. Cheryl has won two out of the three seasons that she has judged in the UK which proves her ability to spot talent. Simon has masterminded the careers of global superstars Leona Lewis and Susan Boyle. Paula, on the other hand, has never had such a responsibility. But I'm sure she is more than up for the challenge and it will be exciting to see Paula and Cheryl battle against Simon.

The final judge, LA Reid is a fantastic choice for a judge. He has masterminded Mariah Carey's comeback in 2005 and launched the career of Rihanna and Justin Bieber. I think he will be a fantastic mentor to the contestants and I think the contestants will really look up to him on a personal and professional level. LA Reid can spot talent, that's for sure. I think the diverse range in the judges musical backgrounds really shows that Simon has thought about the judging panel for the launch of the US X Factor. However, I can't say I'm happy about the choice in presenters.

Nicole Scherzinger is a global superstar and is huge in America after her success with the Pussycat Dolls, so I can't help thinking that maybe she would have been a more appropriate choice of judge instead of Cheryl. Do not think I dislike Cheryl; I'll be the first to support Cheryl when the going gets tough. But I feel Nicole's credentials have been overlooked by favouritism. Nicole was a huge hit last summer on the UK X Factor when she stood in for Cheryl Cole when she was diagnosed with malaria, and Nicole was invited back for the bootcamp stages, too, due to her success. Which makes me wonder why she has been offered the role of presenter rather than judge? Also, Nicole's solo music career is starting to take off, but will Nicole really be performing her music on the live stages of the show when she's there to present? Also, would Nicole really put her solo-career on hold after waiting for this success for such a long time? All I can say is that she must have been offered a HUGE paycheck to solidify her joining the show, especially when she may potentially have to give up so much.

As for Steve Jones. Well, I'm not fussed by him. No-one knows who he is in the states, and no-one will be able to understand his welsh accent, so, naturally, all eyes will be on Nicole.

There is no doubt that The X Factor will be a huge success and that American Idol will need to watch its back in order to compete. I just hope the UK X Factor isn't left in danger by losing its two biggest rating winners.

Judas has arrived!

And I'm not completely sure how I feel about it.

One thing I do know is that I'm an avid fan of Lady GaGa, and most of the time I love what she creates. But since she released 'Born this Way' I feel that GaGa hasn't delivered fully. 'Born this Way' was a generic Madonna-style 'Express Yourself' melody accompanied by GaGa's lyrics and vocals. But it was a weak comeback single, in my opinion. And the video was ridiculous.

Judas, on the other hand, is a damn catchy song. As I write this post, I'm listening to the song. The video, however, is another controversial GaGa creation. Using the story of Mary Magdalene as the basis of the video, GaGa portrays Magdalene herself and through the lyrics often references 'Jesus' and her beliefs. Just like she did in 'Alejandro'. And the video for 'Judas' will no doubt cause as much controversy and offence as what the 'Alejandro' video did.

Personally, I don't understand why GaGa feels the need to use so many biblical references in order to sell records. She is obscenely talented and doesn't need gimmicks to sell records. I'm not religious so I'm not offended by the content of the video, I just think there are so many other concepts she's could've used for the video if she hadn't littered the track with references to being beyond repentance in the most biblical sense and to being a holy fool for being in love with Judas. I just feel GaGa is losing that special something that made her the global superstar she is today. I wish she'd go back to basics. Judas and Born this Way don't come close to tracks like Telephone and Poker Face.

But I've posted the video below so you can make your mind up - is GaGa losing her 'GaGa'?

Nicole Scherzinger - more than just a Doll?

The world knows Nicole Scherzinger as the 'lead singer of the Pussycat Dolls'. But Nicole has now left the comfort of the Pussycat Dolls and has ventured out, on her own, as a solo-artist. And she's doing surprisingly well...

There is no doubt that Nicole was the star attraction of the Pussycat Dolls. The other Dolls were merely glorified backing dancers. All through the Dolls' success, there was much controversy surrounding the over-exposure of Nicole in favour of the other girls, but Nicole had the full package; she could sing, dance and she was flawlessly pretty. The other Dolls couldn't compete. When it was announced that the Pussycat Dolls were splitting up to pursure solo projects, it finally gave Nicole the time to shine on her own and prove she was a star in her own right. And that's just what she did.

Following a successful guest judging stint on the X Factor, Nicole finally set her solo career in motion by performing her debut solo single, Poison, on the X Factor live shows in November. Poison debuted at number three on the UK singles chart. This successful debut was followed by her second single, Don't Hold Your Breath, which was even more successful than its predecessor; Don't Hold Your Breath debuted at number one on the UK singles chart, marking Nicole's first UK number one single as a solo artist.

After shelving her first attempt at a solo career in 2008, her debut album, Killer Love, is nothing short of amazing in my opinion. The album features everything you would expect from an ex Pussycat Doll - dance, pop, ballads, dub-step and even a bit of pop/rock. The eclectic mix of music on the album shows how out of her comfort zone Nicole is prepared to go in order to prove herself as an established, successful recording artist.

But her third single, Right There, is the perfect summer anthem and is sure to be a hit. It's one of my favourite songs off the album and I love the reggae vibe that the track samples. She seems to be channelling her inner Rihanna in this track. But the accompanying music video is what has me completely hooked. The video completely reflects the song, and I love everything about it - the choreography, the location, the styling. Everything. Check it out:

There was a time when I felt Nicole was overrated, but I'm converted. I feel that she's worked hard to achieve the success that she has and she fully deserves it. Also, with her work at such a high calibre already, it's exciting to see what she's going to do next.

Welcome to Candyfornia...

Katy Perry:- singer, exhibitionist, performer, dancer, occasional actress and world-class superstar.

When Katy Perry first smashed onto the music scene in 2008 with the 'controversial' I Kissed a Girl, I really wasn't a fan. Initially, I felt that Katy was being controversial for the sake of being controversial, as in order to obtain recognition by fans and critics alike. However, Katy proved she was more than a one hit wonder and continued to produce infectious songs that dominated the charts worldwide.

On Monday 4th April 2011, I was lucky enough to see Katy live in concert. So, yes, my opinion has somewhat changed on her. Since the release of her sophomore album, 'Teenage Dream', I have ranked Perry amongst one of my favourite female artists, and when I attended the Birmingham date of her worldwide California Dreams tour, I was far from disappointed.

After a Tim Burton inspired video interlude, Katy Perry arrived on the stage with her opening song 'Teenage Dream', and it was official; the audience had arrived in Candyfornia, a world as sweet and sugary as Perry herself. Throughout all of Katy's various costume changes, video montages and infectious setlist, she showed the star quality she was capable of and solidified her position within the hierarchy of female performers of today, ranking highly with Rihanna and Lady GaGa.

If I'm 100% honest, I didn't expect her to be as good as what she actually was. Her vocals were impeccable, her staging was captivating, her styling was sleek, sexy and sweet and her overall performance was incredible. Katy's setlist included all of her biggest hits, including I Kissed a Girl, Hot 'n' Cold, Firework and her second UK number single, California Gurls. She was faultless and there was nothing she was missing from her production.

Whilst there are people who are sceptical about Katy Perry, as I once was, if anything she has the power to transform everyone's opinion, as she did with mine. There is no denying the effect Katy has on fans worldwide and of all ages. After seeing her live in concert, I am captivated, irrevocably. With the sass and looks of a vintage pin-up and the singing voice to boot, Katy Perry looks set to be around for many, many years to come; she has ageless appeal. Girls want to be her and guys want to be with her.

Admittedly, after the success she has enjoyed over the last year with singles California Gurls, Teenage Dream and Firework and her album 'Teenage Dream', it is going to be a struggle in order for Katy to outdo herself. Yet with the ability that she possesses to reinvent herself, I have no doubt that Katy will continue to captivate and dazzle.

10/10

The End of an Era

Today I left my child and teenage years behind me as I turned 20. I can't believe it's been 20 years, they seem to have gone so fast, as everyone keeps telling me. And as one family relative told me: "this time in another twenty years you'll be forty". Yeah, great!

I'm not sure how to feel. Physically, I don't feel any different. But I do feel different mentally, and not in a psychotic kind of way. But in my mind set and the way I'm viewing things at the minute, even though I've only been 20 for, like, 19 hours. But I feel quite a few things have been put into perspective for me.

In just over one year I will complete my final year of University, after crafting a 10,000 word dissertation and passing several more modules and feeling like my head is going to explode with information overload. Then after that, I'll officially graduate from University with, hopefully, a credible degree. (I'm aiming for a 2:1. A 1st would be great but the higher you set your sights, the faster they can come crashing down around you) Then I need to start looking for full-time employment and utilise the degree that I would've spent three years studying for. But in the current job climate, jobs are hard to come by, so I've decided I want to, hopefully, gain an internship within a company so that I can train 'on-the-job', as it were. Which means I need to start looking at possible companies to work with so I can start applying this time next year when the end of my final year is upon me. I may also consider becoming a freelance writer for various publications as writing is a passion of mine and once I'm settled in a full-time job, I'd like to write a book. Crazy, yes, but a goal to work towards, and by becoming a freelance writer I am gaining experience in writing for different genres and publications and evolving my writing style as at the minute I have no clue what type of book I want to write.

I've also been considering studying for my Master's degree, which means I need to also look at possible universities to study with and I also need to find a university that offers the Master's degree I want to study. That said, I'm considering putting that on hold for a year or two and gaining experience in a work environment and then maybe study for my Master's in a few years time but as a part-time student.

Professionally I have a lot of obstacles to overcome and decisions to make, but personally I have a few challenges, too. Once I graduate I would love to gain my degree, get a high-paid job, move to London or New York and live in a luxurious apartment and live happily ever after. However, a dream like that takes a lot of hard work to make a reality. In order to move into my own house or apartment, I need to get my finances in check and assess my financial situation before I even consider leaving home. Also, if I am lucky enough to gain a job in a city which requires me to move from my current city, I will need to look for accommodation near that city so I'm not commuting on a regular basis. Also, I would love to remain close to my family and friends but this may not be the case as after studying at University for three years, I must go wherever my degree takes me and be selfish rather than selfless.

When I write a prose of obstacles opposing me in the next few years, it's quite daunting. But I'm going to live for the moment and strive for the best I can give. I have no doubt that the next twenty years could be the best of my life if I apply myself fully. And this is exactly what I need to do. When I become complacent or lazy, I need to remind myself of what I'm working towards.

Sometimes I just wish I could freeze time and remember parts of my last twenty years forever, but I'm not gifted enough to bend time. So, to mark the end of one era and the start of another I'm getting a new tattoo on Friday - two feathers behind my left ear. Two feathers to represent strength, ascension, independence and the end of one era and the start of another.

STILL Jenny-from-the-Block?

Years ago when Jennifer Lopez first burst onto the music scene I was never really affected by her. Admittedly, she had some good songs, such as Love Don't Cost a Thing, Play, Jenny from the Block and Get Right, but I never really connected with her music in anyway as it was so conventional - it was an R&B tune with a Latino edge. Boring.


Saying that, that WAS almost ten years ago and at that age, the only music I connected with was whatever fluffy pop song was riding high in the charts. Fast forward ten years, though, and J-Lo has come back with a vengeance and a killer new song, On The Floor.


After a tough few years with giving birth to twins, getting married for the third time, leaving Sony Music and her 'comeback' single failing to impact on any charts worldwide, it looked her career could be over. Yet now she is one of three judges on American Idol, her profile has rocketed both in the UK and the US and she is currently number one in the UK iTunes chart. It appears that signing a contract with American Idol was one of the best things she ever decided to do.


With a net worth of £150 million, J-Lo need never work again if she chose to. Yet she is the perfect example of an empowered female - mother, actress, reality TV show judge, entrepreneur, model and dancer. She proves that even when it looks like there is no light at the end of the tunnel, keep your head held high and keep pushing. Now, J-Lo is in the best professional shape she has been in in years and no doubt that her career will go from strength-to-strength now that she has solidified herself in the world of mainstream music, once again. The Cheryl Cole effect has affected J-Lo, and thank god; welcome back!

it was acceptable in the 90's...

The 90's were the best, and not JUST because that is the era that I was born in.

I remember the days of the Mighty Morphin' Power Rangers; I felt like the biggest fan EVER back then, I was addicted to the programme. There were various other substitutes such as VR Troopers and Masked Rider, but nothing quite compared to the six teenagers that were chosen to protect the world from the forces of evil.

And the music. Well, I still say to this day that the 90's was when the era of 'cheese' music materialised. There was S Club 7, N*Sync, B*Witched and, of course, the Spice Girls; the biggest and most successful girl band in the world. Ever. Those were the days.

However, upon reflection, it's quite interesting to see how much the 90's had an impact on the present day. The Power Rangers paved the way for a generation of Power Ranger spin-offs, such as Power Rangers ZEO, Turbo and, more recently, Dino Thunder. The Power Rangers revolutionised the realm of children's television. They allowed children escapism from their dreary day-to-day routine of school, home and then bed and allowed children to believe that they could change the world the way they had; they were a source of inspiration and still, to this day, the Power Ranger legacy lives on.

Yet it's interesting to see how some people, like myself, will openly admit to liking a bit of 90's pop music every once in a while, yet others will act like it's the worst kind of music in the world. But the ironic thing is that ten years ago, THAT music was the only music and everyone was a fan. When pop music was the norm, music such as rap and hip-hop was deemed devil music and artists such as Eminem, 2 Pac and Notorious B.I.G were branded outcasts in the music industry. Yet, fast forward a decade later, rap and hip-hop has finally garnered the recognition it deserves and pop music is the outcast.

The Spice Girls kick-started the notion of 'Girl Power' - a lifestyle of female empowerment allowing females the freedom to do as they wish, regardless of their gender. The Spice Girls gained commercial, critical and worldwide acclaim, proving that even in an industry dominated by male musicians, females are no exception to achieving success on a global scale. Today the charts are dominated by female musicians such as Lady GaGa, Jessie J, Rihanna, Katy Perry and Nicki Minaj showing that 'Girl Power' is still very much alive.

It's satisfying to feel part of a revolution. In the same way that the 60's, 70's and 80's influenced the 90's, it's interesting to see how the 90's has influenced the noughties. In ten years time I wonder how the revolution will have evolved even more. Now there's a parting thought.

"Stomp, Stomp, I've arrived!"

Jessie J (2011)

The opening line of the intriguing Jessie J’s debut single, ‘Do It like a Dude’, is most certainly correct – she has well and truly arrived.

Bursting onto the scene in November 2010, big things were to be expected from Miss Jessica Cornish. With her quirky style, distinctive voice and killer beats, Jessie J made sure she was stuck in our heads right from the start. In December 2010, Jessie won the coveted BBC ‘Sound of 2011’; an accolade given to the artist to watch in 2011. Shortly after, it was revealed that Jessie had won the BRIT’s Critic’s Choice award - another award given to artists who are expected to be huge in the coming year. This award has previously been won by Adele, Florence + the Machine and Ellie Goulding, and look at the success they have each achieved.

‘Do it like a Dude’ was an infectious club anthem that speaks about girls acting like guys, and being just as good at it. With very little promotion, other than her very much publicised award winnings, the single eventually peaked at number 2 on the UK singles chart. Not bad for an artist who has been around for just over two months.

However, it has been just over two months since Jessie J garnered mainstream success. For many years, Jessie has made a living as a songwriter to stars such as Justin Timberlake and Chris Brown. Jessie also penned the anthemic Miley Cyrus track ‘Party in the USA’ which achieved commercial and critical success worldwide. With acts like Christina Aguilera chasing her writing talents, Jessie dedicated many years to writing her upcoming debut album ‘Who You Are’, which is guaranteed to be an album of the year.

With her new single ‘Price Tag’ featuring American rapper B.O.B already sitting firmly and comfortably at the top of the UK iTunes chart, we can expect Jessie J to be around for many years to come. She needs to watch herself though; with similar artists like Cher Lloyd and Nicki Minaj all vying to be at the top of the music industry hierarchy, Jessie J will need to be at the top of her game. And I have no doubt that she will be. Watch this space, Jessie J’s arrived!

Black Swan (2011)

Everyone knows the classic story of ‘Swan Lake’, and the story of the gracious White Swan and the sensual Black Swan. What everyone didn’t know is that such a classic story could be turned into such a dark, psychological blockbuster film.

The film is based around a New York ballet school that is producing an adaption of ‘Swan Lake’ with all of the dancers wanting to be cast in the role of the Swan Queen, none more so than Nina Sayers (Natalie Portman). However, there is one problem – the dancer that is cast as the Swan Queen must be able to dance both the part of the gracious and perfect White Swan, as well as being able to dance the part of the sensual and seductive Black Swan. Nina Sayers embodies the technique and personality associated with the White Swan, yet lacks the passion and free will of the Black Swan. With fellow dancer Lily (Mila Kunis) possessing the traits and personality of the Black Swan, Nina must fight for the part of the Swan Queen, as well as having to fight for her sanity in this dark, psychological thriller about the lengths a dancer will go to in order to obtain what she wants.

With Natalie Portman cast in the lead role, this film had promise right from the start. Portman plays shy, frigid Nina Sayers and is perfect in the role. Given that Portman is best known for her role as Padme Amidala in the Stars Wars movie franchise, she delivers a stellar performance as the tormented dancer. Although there are times when timid Nina becomes quite unbearable to watch, Portman holds your attention throughout. Even when you are forced to watch the more gruesome scenes, you can’t help but watch, even though you know you should be looking elsewhere. Portman has won a plethora of awards for her role, most recently winning 'Best Actress in a leading role' at the 83rd Academy Awards, and rightly so; it’s hard to imagine any other actress playing the role of Nina.

Fans of the original ballet production of Swan Lake will not enjoy this film. They will be disgraced at how such a classic piece of art has been turned into a film about a dancer wanting to kill anyone that dares to hinder her chances of becoming the Swan Queen. But for me, that was what I enjoyed most. In a masochistic kind of way, I enjoyed seeing Nina lose her sanity over the role as this showed how much the part meant to her; the conviction Portman bought to the role, and the torment Nina suffered was fantastic to watch. Although it became difficult to differentiate between what was real and what was not by the end of the film, as a member of the audience, I felt exactly what Nina felt – confusion, frustration, relief, plus more.

My main criticism was the ending; Nina dying was the worst way to end the film, yet fitting as the Swan Queen dies at the end of Swan Lake. I personally would have liked to see Nina embrace her dark side sooner than she did as this was when Portman was at her best. Still, a great film, nonetheless, and Portman summed up her performance with her closing line in the film: "I was perfect".

8/10